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面對當代不易被察覺的權力關係,我想找到一種新的視角去理解以及觀看,於是我思考是否能以同志的生命經驗重新解構當代策展權力。 在各式隱性且精巧的規訓系統之下,我們符合了權力的期待,從雜亂無章的烏合之眾成為了有秩序且同質化的馴化群體。然而我們是否能從這樣的規訓危機之中找到逃脫的契機呢? 同志族群在成長經驗中抵抗著主流的社會價值,不斷找尋自我的認同,Foucault 提到當我們開始質疑自己是誰時,我們便開始意識權力的存在。然而這樣的同志精神是否能有作為抵抗權力並質疑甚至將其肢解的可能性呢? 臺北新公園作為展示權力的系統,卻同時也是同志族群在其中尋找同溫層的場域,於是權力的符號以及情慾的活動在此相互依存且相互佔有。公園內同志的各種活動聚焦於所謂的茶室(tearoom)活動,而我以此作為研究對象,期待透過茶室交易中玩家面對權力者的危機,類比到博物館空間面對權力規訓的危機;同志族群在廁所當中的情慾流動使廁所轉變為容納情慾的公共空間,而面對當代博物館中的策展權力,我希望透過茶室的精神介入,使得博物館原本作為單向展示的神殿,轉變為也能容納自由探索與討論的論壇空間,以此找到當代社會面對權力展示以及策展權力的態度。 我期待透過我的設計討論一種同志經驗的日常化,而這樣的經驗不再淪為嘉年華慶典的宣言,同時也這樣的經驗也能幫助社會在閱讀如臺灣博物館這種權力場域時,多了另一種視角的觀看,以此了解當代策展權力,更透過新的角度,打開當代策展的新可能性。

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The contemporary popular inhabitation of human settlements on the Peruvian coast the typical conservation processes have generated pernicious effects on wetlands over time. The project is based on the following question: How to propose new habitability and non-harmful conservation contracts with wetlands? From a critique of the current living model, the projects seeks for a new vision where we can imagine a sustainable coexistence between people and coastal wetlands. The project is located in one most complex ecosystemic wetlands and most urban nature conflicted area around the peruvian cost : the Santa Rosa wetland, in Chancay, Lima. whose territory changing pattern was directed influenced by the periurban growing and the emergency of wrong productive practices that occupied its edge since 1960 From a projectual theoretical exploration, based in Felix Guattari’s eco philosophy, it is proposed a new community production model articulated with wetlands that explores alternative ways of living that allow the involvement of these natural spaces in people’s collective and individual practices, such as reinterpreting their festive, food and productive cycles and promoting new collaborative networks. In this way, give a new value to these natural spaces as a local productive resource. Its proposed a an integrated system of new urban ecosystems based in a new agroecological production network. For a realistic transition to this new inhabitation its proposed three phases that will guide the main objectives and strategies that will lead to a new urban ecological model. These ones are: 1.MITIGATION AND REGENERATE, to restore the hydrological balance of the wetland, by integrating a new descentralized hydric infrastructure network that will treat grey and black waters from the near communities. 2.RECONNECT LEARNING to explore new relationships between the community, city and its environment by a new secuency oh hydric landscapes as a result of the new renovated waters to recreate new urban ecological scenaries based in a new public and productive program. 3.APPROPRIATION to consolidate an ecological urban system from new productive, recreational and ecological cycles by the implementation of eco prototypes related to these new hydric ecosytems as arquitectural supports of these new inhabitation. The project seek to recreate new scenaries of sustainable practices, showing the human nature coexistence through a new urban production model for coastal wetlands conservation.

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存量更新,古城空间容量不足,人们期待社交,面临种种限制;信息时代,民营企业急需转型,探索不断进行;技术升级,空间维度逐步增加,万物终将通联。工业遗址带着历史的枷锁,将如何迎接数字时代的更新挑战?本案以福建省泉州市鲤城区五塔巷的麻纺织厂为空间试点,探讨工业遗址转型为数字创意园的新范式。 通感联园:厂区内,以主厂房为主轴,各组团为副轴,场地为联系纽带,形成创意市集、创意工坊组团和商业街区并存的多中心布局;新旧建筑形成肌理、尺度、材料、色彩的通感,并基于数字基建互联运营;组团内,建立环形路径,以厂房结构为模数控制流动空间,由文化和需求建立新空间序列。 泛维丝路:主厂房内,将海丝的6个时间发展历程映射到建筑空间中,赋予单一大空间丰富的空间序列,形成“六市六集云展”的创意市集,满足多元的社交活动需求,体现时空的泛维和迭代;组团内,强化空间联系,集办公、销售、宣传、休闲一体,注重文化和体验吸引,探索民营企业的新运营模式。 Stock renewal, the ancient city space capacity is insufficient, people expect socialization, facing various restrictions; the information age, private enterprises urgently need to transform, exploration continues; technology upgrade, the space dimension gradually increased, everything will eventually connected. How will the industrial site, with its historical shackles, meet the challenges of renewal in the digital age? This case takes the hemp textile factory in Wutaxiang, LiCheng District, Quanzhou City, Fujian Province as a spatial pilot to explore the new paradigm of transforming an industrial site into a digital creative park. The main factory building is the main axis, each group is the sub-axis, and the site is the linkage, forming a multi-center layout with creative market, creative workshop group and commercial street coexisting; the old and new buildings form a sense of texture, scale, material and color, and interconnected operation based on digital infrastructure; within the group, a circular path is established, and the factory structure is used as a modulus to control the flow space, and new space is established by culture and demand Sequence. Pan-dimensional Silk Road: In the main factory building, the six temporal development courses of Haishi are mapped into the building space, giving a rich spatial sequence to a single large space, forming a creative bazaar of "six cities and six collections of cloud exhibition", meeting the demand for diversified social activities and reflecting the pan-dimensional iteration of space and time; in the cluster, the spatial connection is strengthened, integrating office, sales, publicity and leisure, focusing on culture and experience to attract. Within the group, the space connection is strengthened, integrating office, sales, promotion and leisure, focusing on culture and experience attraction, and exploring the new operation mode of private enterprises.